This article delves into the intricate world of texture in art, exploring how artists across different mediums and eras have harnessed its power to create compelling works that resonate with viewers on a profound level. From the thick, swirling brushstrokes of Van Gogh’s impasto technique to the innovative use of mixed media by contemporary artists, we will examine the diverse ways in which texture contributes to the overall impact and meaning of artworks.

Understanding Texture in Art

Before we dive into specific techniques and examples, it’s essential to understand what we mean by texture in the context of art. Texture refers to the surface quality of an object – how it feels or looks like it would feel if touched. In art, texture can be:

1. Actual Texture (Tactile): The physical feel of a surface, which can be experienced through touch. This is common in sculpture, textiles, and heavily textured paintings.
2. Visual Texture (Implied): The illusion of texture created through visual means, such as painting techniques or photography, which suggest how a surface might feel without actually having a three-dimensional quality.

Texture serves several purposes in art:

• It adds visual interest and complexity to a piece.
• It can create contrast and focal points within a composition.
• It helps convey emotions, mood, and atmosphere.
• It can represent real-world surfaces and materials.
• It invites viewer engagement by stimulating the sense of touch, even if only imagined.

Now, let’s explore how artists in various mediums have employed texture to enhance their work.

Texture in Painting

Impasto Technique: Van Gogh’s Expressive Brushstrokes

One of the most renowned examples of texture in painting comes from the Dutch post-impressionist painter Vincent van Gogh. Van Gogh was a master of the impasto technique, which involves applying paint thickly to the canvas, often with visible brushstrokes or palette knife marks. This technique not only creates actual texture on the canvas but also adds a sense of movement and emotion to the painting.

In paintings like “The Starry Night” (1889) and “Wheatfield with Crows” (1890), Van Gogh’s thick, swirling brushstrokes create a sense of movement and energy. The texture of the paint itself becomes an integral part of the artwork’s expression, conveying the artist’s emotional state and the vibrant, almost palpable atmosphere of the scenes he depicted.

The impasto technique adds several dimensions to Van Gogh’s work:

1. Depth and Dimensionality: The thick application of paint creates actual shadows and highlights on the canvas, giving a three-dimensional quality to the two-dimensional surface.
2. Emotional Intensity: The visible, energetic brushstrokes convey a sense of the artist’s passion and the intensity of his creative process.
3. Visual Interest: The varying textures within the painting draw the viewer’s eye across the canvas, creating a dynamic viewing experience.
4. Light Interaction: The uneven surface of impasto paintings interacts with light in complex ways, changing the appearance of the work under different lighting conditions.

Sfumato: Leonardo da Vinci’s Subtle Textures

On the opposite end of the texture spectrum, we find the sfumato technique, perfected by Leonardo da Vinci during the Renaissance. Sfumato, which means “to evaporate like smoke” in Italian, involves the subtle blending of colors and tones to create a soft, hazy effect.

While this technique doesn’t create actual texture, it produces a visual texture that gives paintings a dreamlike quality. In works like the “Mona Lisa” (c. 1503-1506), da Vinci used sfumato to create subtle transitions between light and shadow, particularly around the subject’s eyes and mouth. This technique adds depth and mystery to the painting, inviting viewers to look closer and engage with the work on a more intimate level.

The sfumato technique contributes to artwork in several ways:

1. Soft Realism: It creates a more natural, lifelike appearance by mimicking how the human eye perceives edges and transitions in real life.
2. Depth and Volume: The gradual blending of tones gives a sense of three-dimensionality to figures and objects.
3. Atmospheric Effect: Sfumato can create a sense of distance and atmosphere, particularly in landscape backgrounds.
4. Emotional Resonance: The soft, hazy quality can evoke a dreamy or mysterious mood, adding emotional depth to the artwork.

Contemporary Approaches: Mixed Media and Textural Experiments

In the realm of contemporary painting, artists have pushed the boundaries of texture even further, often incorporating mixed media elements to create complex, multi-layered surfaces. Artists like Anselm Kiefer and Antoni Tàpies have become known for their heavily textured works that blur the line between painting and sculpture.

Anselm Kiefer, a German artist, often incorporates materials such as straw, ash, clay, lead, and shellac into his large-scale paintings. In works like “Margarethe” (1981), Kiefer applied straw to the canvas to represent hair, creating a striking contrast between the rough, three-dimensional texture of the straw and the flatter painted areas. This use of unconventional materials not only adds visual and tactile interest but also carries symbolic weight, often relating to themes of history, mythology, and memory in Kiefer’s work.

Antoni Tàpies, a Spanish artist, was known for his “matter paintings” that featured thick, textured surfaces created with a mixture of paint and materials like marble dust, ground chalk, and sand. In works such as “Great Painting” (1958), Tàpies created a surface that resembles a weathered wall, inviting viewers to consider the passage of time and the stories embedded in everyday surfaces.

These contemporary approaches to texture in painting:

1. Challenge Traditional Boundaries: By incorporating three-dimensional elements, these works push the definition of what constitutes a painting.
2. Engage Multiple Senses: The complex textures invite not just visual, but also imagined tactile engagement.
3. Carry Conceptual Weight: The choice of materials often relates directly to the themes and ideas the artist is exploring.
4. Create Unpredictability: The interaction of various materials can lead to unexpected effects, adding an element of chance to the artistic process.

Also check: How to Draw from Imagination

Texture in Sculpture

Sculpture, by its very nature, is an art form deeply connected to texture. The three-dimensional quality of sculpture allows artists to create works that engage directly with the viewer’s sense of touch, even when physical contact is not permitted. Let’s explore how different sculptors have used texture to enhance their work.

Classical Sculpture: The Smooth Perfection of Marble

Classical Greek and Roman sculptors, as well as those of the Renaissance who emulated them, often aimed for a smooth, polished surface in their marble sculptures. This approach to texture served several purposes:

1. Idealization: The smooth surface helped create an idealized representation of the human form, emphasizing perfection and divine beauty.
2. Light Interaction: Polished marble interacts with light in a way that enhances the sculpture’s three-dimensional form, creating subtle gradations of light and shadow.
3. Contrast with Surroundings: The smooth texture of the sculpture often contrasted with the rougher textures of its surroundings, making the work stand out.
4. Technical Mastery: Achieving a perfectly smooth finish demonstrated the sculptor’s skill and control over the material.

An excellent example of this approach is Michelangelo’s “David” (1501-1504). The smooth, polished surface of the marble gives the sculpture a sense of living flesh, while also elevating it to a realm of ideal beauty.

Rodin: Embracing the Rough

In contrast to the smooth perfection of classical sculpture, Auguste Rodin, the father of modern sculpture, often left parts of his works roughly textured or seemingly unfinished. This approach, seen in works like “The Thinker” (1880) and “The Kiss” (1882), added a new dimension to sculptural texture:

1. Emotional Expressiveness: The contrast between smooth and rough areas could convey different emotional states or emphasize certain aspects of the figure.
2. Process Visibility: By leaving some areas rough or unfinished, Rodin allowed viewers to see traces of the sculptural process, emphasizing the act of creation.
3. Dynamic Surfaces: The interplay of smooth and rough textures creates a more dynamic surface that interacts with light in complex ways.
4. Modernist Approach: This technique challenged traditional notions of “finished” art and paved the way for more experimental approaches to sculpture.

Contemporary Sculpture: Texture as Concept

In contemporary sculpture, artists have taken texture to new heights, often making it a central concept in their work rather than just a surface quality. Here are a few notable examples:

1. Eva Hesse: Known for her pioneering work in materials like latex, fiberglass, and plastics, Hesse created sculptures with unique textural qualities that often evoked organic, bodily forms. Her work “Contingent” (1969) features sheets of cheesecloth coated in latex and fiberglass, creating a texture that is simultaneously fragile and industrial.
2. Tara Donovan: Donovan creates large-scale installations using everyday materials like toothpicks, pencils, or plastic cups. The repetitive use of these items creates complex textures that transform the mundane into the extraordinary. Her work “Untitled (Plastic Cups)” (2006) uses thousands of plastic cups to create a undulating, cloud-like form with a mesmerizing textural quality.
3. Anish Kapoor: While known for highly polished works like “Cloud Gate” in Chicago, Kapoor also explores intense textures. His piece “Marsyas” (2002) at the Tate Modern featured a vast expanse of raw, red PVC membrane stretched between steel rings, creating a texture that was simultaneously industrial and organic.

These contemporary approaches to texture in sculpture:

1. Expand Material Possibilities: Artists are constantly exploring new materials and their textural properties.
2. Create Immersive Experiences: Large-scale textural works can create environments that viewers can walk through or around, fully immersing themselves in the textural experience.
3. Challenge Perceptions: By using familiar materials in unexpected ways, artists can challenge how we perceive and interact with everyday objects.
4. Blur Boundaries: The line between sculpture, installation, and architecture is often blurred in works that use texture as a primary element.

Also check: Color Theory for Beginners

Texture in Textiles

Textiles offer perhaps the most direct and varied exploration of texture in art. The very nature of fabric and fiber allows for an incredible range of tactile experiences. From smooth silk to rough burlap, from intricate embroidery to chunky knits, textile artists have a vast palette of textures to work with.

Traditional Textile Techniques

Many traditional textile techniques are centered around creating interesting textures:

1. Weaving: The basic structure of woven fabric creates texture, but weavers can enhance this by varying the types of yarns used or by employing techniques like twill or basketweave.
2. Embroidery: This technique adds texture to a flat fabric surface through raised stitches. Traditional forms like crewelwork or goldwork create particularly rich textures.
3. Quilting: By stitching together layers of fabric, quilters create raised areas that add both visual and tactile texture to their work.
4. Knitting and Crochet: These techniques naturally create textured surfaces, which can be enhanced through the use of different stitches, yarns, and patterns.

An excellent example of traditional textile art that emphasizes texture is the Bayeux Tapestry (c. 1070-1080). While technically an embroidery rather than a tapestry, this medieval masterpiece uses a variety of stitches to create texture and depth in its depiction of historical events.

Contemporary Textile Art: Pushing Boundaries

Contemporary textile artists have taken texture to new levels, often combining traditional techniques with innovative approaches:

1. Magdalena Abakanowicz: This Polish artist is known for her “Abakans,” large-scale, three-dimensional woven forms that hang in space. These works, made from coarse fibers like sisal, create immersive textural environments that viewers can walk around and sometimes even enter.
2. Sheila Hicks: Hicks creates both large and small-scale textile works that explore color, form, and texture. Her “minimes” series consists of small woven pieces that serve as textural studies, while her larger installations, like “The Treaty of Chromatic Zones” (2002), create immersive environments of color and texture.
3. El Anatsui: This Ghanaian artist creates large-scale sculptures from thousands of discarded bottle caps and other metal detritus, woven together with copper wire. The resulting works, such as “Fresh and Fading Memories” (2007), resemble shimmering, textured tapestries that reflect on themes of consumption, waste, and transformation.

Contemporary approaches to texture in textile art:

1. Blur Boundaries: Many contemporary textile artists create works that challenge the distinction between textile, sculpture, and installation.
2. Incorporate Unconventional Materials: Artists often integrate non-traditional materials into their textile works, creating unique textures and conceptual depth.
3. Emphasize Process: The labor-intensive nature of many textile techniques becomes part of the work’s meaning and aesthetic appeal.
4. Create Immersive Experiences: Large-scale textile installations often invite viewers to engage with texture on a bodily level, walking around or through the work.

The Psychology of Texture in Art

The use of texture in art goes beyond mere visual or tactile interest; it has profound psychological effects on viewers. Understanding these effects can help us appreciate why artists choose certain textures and how they contribute to the overall impact of a work.

1. Emotional Resonance: Different textures can evoke different emotional responses. Smooth textures might feel calming or refined, while rough textures can create a sense of rawness or urgency. The impasto technique used by Van Gogh, for instance, adds to the emotional intensity of his paintings.
2. Memory and Association: Textures can trigger memories and associations. A work that incorporates a texture reminiscent of a familiar object or material might evoke personal memories or cultural associations.
3. Engagement and Exploration: Complex textures invite closer inspection, encouraging viewers to spend more time with a work of art. This increased engagement can lead to a deeper appreciation and understanding of the piece.
4. Haptic Perception: Even when we can’t touch an artwork, our brains process textural information in a way that simulates tactile sensation. This “visual touch” can make our experience of an artwork more immersive and multisensory.
5. Contrast and Focus: Variations in texture within a single work can guide the viewer’s attention, creating focal points and helping to structure the visual narrative of the piece.

Digital Art and Texture

As art moves increasingly into digital realms, the concept of texture has evolved. Digital artists have found innovative ways to incorporate texture into their work:

1. 3D Modeling and Rendering: In 3D digital art, texture mapping allows artists to apply detailed surface textures to digital models. This technique is widely used in animation, video games, and digital sculpture.
2. Digital Painting: Many digital painting software packages offer brushes and tools that simulate various textures, allowing digital artists to create works with the textural richness of traditional media.
3. Generative Art: Some artists use algorithms to generate complex textural patterns, creating works that would be difficult or impossible to produce by hand.
4. Virtual and Augmented Reality: These technologies offer new possibilities for creating immersive, textural environments that viewers can interact with in novel ways.

While digital textures are not tactile in the traditional sense, they can still evoke strong sensory and emotional responses. The challenge for digital artists is to create textures that feel authentic and engaging, even when experienced through a screen.

Texture in Architecture

While not traditionally considered “fine art,” architecture provides some of the most impactful examples of texture in creative work. The textures of buildings affect not just their appearance, but how we interact with and experience spaces.

1. Brutalism: This architectural style, popular in the mid-20th century, emphasizes raw concrete surfaces. The rough, unfinished texture of buildings like Le Corbusier’s Unité d’Habitation (1952) in Marseille creates a stark, powerful aesthetic.
2. Frank Gehry: Known for his deconstructivist style, Gehry often uses materials like titanium and stainless steel to create buildings with complex, undulating surfaces. The Guggenheim Museum Bilbao (1997) is a prime example, its shimmering, textured exterior changing appearance with the light and weather.
3. Green Architecture: The growing trend of integrating living plants into building design introduces a dynamic, changing texture to architecture. Patrick Blanc’s vertical gardens, like the one on the Musée du Quai Branly in Paris, create a lush, organic texture that contrasts with traditional building materials.

Architectural textures:

• Influence how we perceive the scale and proportion of buildings
• Affect the acoustics and climate control of interior spaces
• Can make buildings feel more inviting or imposing
• Change the way buildings interact with light and shadow

The Future of Texture in Art

As we look to the future, several trends suggest exciting possibilities for the use of texture in art:

1. Smart Materials: Advances in material science are creating new possibilities for texture in art. Shape-memory alloys, for instance, could allow sculptures to change texture in response to temperature.
2. Bioart: Artists working with living organisms are creating works with unique, evolving textures. Eduardo Kac’s “Natural History of the Enigma” (2003-2008), which involved creating a genetically engineered flower, points to possibilities of living, growing textures in art.
3. Nanotextures: As our ability to manipulate materials at the nanoscale improves, artists may be able to create textures with unique optical or tactile properties invisible to the naked eye.
4. Haptic Technology: Developments in haptic feedback could allow viewers to “feel” the texture of digital artworks, opening new avenues for interactive and immersive art experiences.
5. AI and Generative Textures: Machine learning algorithms could be used to generate complex, evolving textures, or to analyze and replicate the textural styles of different artists.

Conclusion

Texture in art is far more than a surface consideration. It’s a fundamental element that artists use to add depth, meaning, and emotional resonance to their work. From the thick impasto of Van Gogh to the smooth marble of classical sculpture, from the intricate weaves of textile art to the complex surfaces of contemporary installations, texture engages our senses and our minds.

As we’ve seen, texture can:

• Guide our eye and our emotions through a composition
• Connect us to memories and associations
• Invite us to engage more deeply with an artwork
• Challenge our perceptions of materials and space
• Blur the boundaries between different art forms

In an increasingly digital world, the role of texture in art takes on new significance. It reminds us of the physicality of our world and our own embodied experience. At the same time, new technologies are opening up exciting possibilities for creating and experiencing texture in ways we’re only beginning to explore.

As we look to the future, texture will undoubtedly continue to play a vital role in how artists express themselves and how we experience art. Whether through traditional techniques or cutting-edge technologies, the tactile and visual richness that texture brings to art will continue to captivate, challenge, and inspire us.

The post The Role of Texture in Art: How Artists Use Texture to Add Depth to Their Work appeared first on Learn With Examples.

We’ll break down the process into manageable steps, focusing on enhancing imaginative abilities, building a strong visual library, and creating artwork without needing references. Let’s dive into it!

1. Understand the Power of Imagination in Drawing

Imagination is the core of creative art. Drawing from imagination means creating something new without directly looking at a reference. However, imagination doesn’t come from thin air. It’s fueled by your experiences, knowledge, and memories.

Example:

Imagine you want to draw a fantasy creature. Your brain will pull from things you’ve seen before—animals, textures, shapes—and combine them in new and unexpected ways. You might merge the body of a horse with the wings of a bird, and then add details based on your understanding of feathers, muscles, and textures.

Tip:

Practice thinking about your everyday environment. Look at objects, animals, and people, and try to imagine how they would look if they were different—maybe exaggerated or combined with something else. This will stretch your creative muscles.

2. Build a Visual Library

Your visual library is a mental collection of images, shapes, and patterns you’ve encountered in the world. By regularly observing and memorizing things around you, you will enrich your visual vocabulary and improve your ability to recall and recreate them.

Example:

If you want to draw a tree from imagination, you need to understand the basics of how trees grow. Observe different trees—tall pines, sprawling oaks, and twisty willows. Note how their branches move, the texture of their bark, and the shape of their leaves. With these visual memories in your mind, you’ll be able to draw different types of trees without needing a reference.

Tip:

Carry a small sketchbook with you, and whenever you see something interesting (a unique building, a beautiful flower, an animal in motion), make a quick sketch. This doesn’t have to be perfect; it’s just to store that image in your memory. The more you draw from real life, the larger and more detailed your visual library becomes.

3. Practice Visualization Techniques

Visualization is the ability to mentally picture things before drawing them. If you can’t see it in your mind, it’s hard to put it on paper. Strengthening your visualization skills helps you become more comfortable drawing from imagination.

Visualization Exercise:

Close your eyes and imagine a simple object, like an apple. Try to visualize every detail—the shape, the color, the texture of the skin, and the way light reflects off of it. Now open your eyes and try to draw it from memory. Repeat this with more complex objects as you improve.

Example:

If you’re drawing a car, imagine the shape of the car before you start drawing. Picture how the tires sit on the ground, the curve of the windshield, and the placement of the lights. Mentally “rotate” the car to see it from different angles.

Tip:

If you struggle to visualize complex forms, break them down into simpler shapes (circles, squares, and triangles). This will make it easier to mentally rotate or adjust them.

Also check: Color Theory for Beginners

4. Break Down Complex Objects into Simple Shapes

One of the key skills in drawing from imagination is the ability to simplify complex forms into basic shapes. Every object, no matter how intricate, can be broken down into basic geometric forms, like cubes, cylinders, and spheres. Once you can do this, it becomes much easier to imagine and draw them from different angles.

Example:

Let’s say you want to draw a character. Start with a basic stick figure or simple shapes like circles for the head, rectangles for the torso, and cylinders for the arms and legs. This foundation gives you a structure to build on. Once you’ve got the basic shapes down, you can add details like muscles, clothing, and facial features.

Tip:

Practice breaking down objects around you into simple shapes. Look at a chair, a car, or even an animal, and see if you can identify the basic forms that make up the whole. This approach will help when you try to draw things purely from imagination.

5. Use Thumbnail Sketching to Explore Ideas

Thumbnail sketches are small, rough sketches that help you quickly explore different ideas and compositions. These sketches don’t need to be detailed. Instead, they are tools to help you work through different concepts and poses.

Example:

If you’re designing a robot, you could draw several thumbnail sketches showing different shapes, sizes, and poses. One thumbnail might feature a tall, thin robot, while another is short and blocky. By quickly sketching multiple variations, you can figure out what works best before committing to a final design.

Tip:

When doing thumbnails, don’t focus on making them look perfect. The goal is to generate ideas, not create polished drawings. Use these quick sketches as a playground for your imagination.

6. Master Perspective and Anatomy

When drawing from imagination, understanding perspective and anatomy gives your drawings a sense of depth and realism, even if the subject is entirely fictional. Perspective helps you place objects in space, while anatomy helps you create believable characters or creatures.

Perspective Example:

Imagine you’re drawing a street scene from your mind. To make it feel real, you need to understand how buildings, cars, and people shrink as they move away from the viewer (one-point or two-point perspective). Even though it’s all in your head, applying perspective rules makes the scene more convincing.

Anatomy Example:

If you’re drawing a dragon, knowing the basic anatomy of reptiles, birds, and mammals will help you create a more believable creature. You’ll know where to place muscles, how the limbs should move, and what proportions will make the creature look natural, even if it’s entirely fantastical.

Tip:

Study perspective and anatomy from reference, but once you understand the rules, apply them creatively to your imagined subjects.

Also check: Understanding Perspective – How Objects Change with Distance

7. Take Inspiration, but Don’t Copy

Inspiration is all around you, from nature to films to other artists. However, it’s important not to simply copy what you see. Instead, draw inspiration from these sources and twist them into something uniquely yours.

Example:

Let’s say you love the design of a spaceship from a movie. Instead of copying it exactly, ask yourself what elements you like—maybe it’s the sleek shape or the glowing lights. Use those elements in your own design but combine them with other influences to create something new.

Tip:

Create a mood board or a collection of references that inspire you, and use them as jumping-off points for your own original ideas.

8. Embrace Mistakes and Happy Accidents

One of the best ways to foster creativity is by allowing yourself to make mistakes. Sometimes, the best ideas come from unplanned elements or “happy accidents.” When drawing from imagination, don’t be afraid to let your mind wander and explore different ideas, even if they don’t turn out the way you expected.

Example:

While sketching an imagined landscape, you might accidentally smudge a line. Instead of erasing it, you could turn it into a shadow or a feature of the landscape, like a cloud or fog. Embracing accidents often leads to surprising and creative outcomes.

Tip:

Let go of perfectionism and allow your imagination to take the lead. Every mistake is an opportunity to try something new.

9. Use Visualization Techniques for Memory Training

To enhance your ability to draw from imagination, practice memory training exercises that build your ability to recall objects and scenes in detail.

Example:

Look at a complex object for 30 seconds—a house, a tree, or even a face. Close your eyes and try to visualize it in as much detail as possible. Now, try to draw it without looking back at the object. This practice strengthens your ability to recall and recreate details from memory.

Tip:

Start with simple objects and work your way up to more complex ones as your memory improves.

10. Let Your Imagination Run Wild

Finally, the most important part of drawing from imagination is letting go and having fun. Don’t constrain yourself to what you think is possible or realistic. Allow your mind to dream up the impossible and see where it takes you.

Example:

Imagine a world where animals are giant and the sky is always purple. Draw that world, adding fantastical elements like floating islands, futuristic cities, or underwater castles. Let your imagination guide you, and don’t be afraid to push boundaries.

Tip:

Set aside time to create purely for fun, without worrying about rules or perfection. This free creative play is where your most original ideas will come from.

Conclusion

Drawing from imagination is a skill that anyone can develop with practice and patience. By building your visual library, practicing visualization techniques, breaking down complex forms into simple shapes, and embracing mistakes, you can enhance your imaginative drawing abilities.

Remember, the key is not to limit yourself—imagination has no boundaries, and the more you use it, the stronger it becomes. Keep exploring, keep experimenting, and most importantly, keep drawing!

The post How to Draw from Imagination: Tips for Developing Creative Visualization Skills appeared first on Learn With Examples.

The Building Blocks: Primary Colors

Primary colors are the superstars of the color world. We call them primary because just like you can’t break down the ingredients of a basic cake, you can’t make primary colors by mixing other colors. Every other color that exists in the world originates from primary colors. There are three primary colors – red, blue, and yellow.

Red

Blue

Yellow

The Next Generation: Secondary Colors

When you mix two primary colors, magic starts to happen. We get a brand-new color family: the secondary colors. Let’s learn with an example (pun intended) –

Red + Yellow = Orange

Yellow + Blue = Green

Blue + Red = Purple

Think of a juicy orange, a vibrant green apple, or a beautiful purple flower – each of these is possible because nature decided to mix to primary colors for us!

The Extended Family: Tertiary Colors

Ready for even more color fun? Tertiary colors are formed by mixing a primary color with a secondary color. These create in-between shades with interesting names. Let’s check some examples:

Red + Orange = Vermillion

Yellow + Orange = Amber

Yellow + Green = Lime Green

Blue + Green = Turquoise

Blue + Purple = Violet

Blue + Orange = Brown

If you see the probability of combinations that can be created using a mix of primary and secondary colors, you will get an astronomical figure (3^27 to be exact). Now you can understand why we get so many colors from just 3 primary colors. The universe works in mysterious ways surely.

If you want to learn more about the magic of probability you can also check: Unravelling the Magic of Probability

Practicing Color Theory

Color theory isn’t just on a painter’s palette – it’s all around us! Next time when you look at beautiful color, try to image how this color is made. Is it a mix of primary colors? Are multiple colors combining to create the shade? Or is it just a lighter or darker version of the same color? That’s where hue and saturation come in.

Hue: When we talk about colors, we hear the word hue a lot. But what exactly is a hue? Simply put, hue is just the color in its pure form. For example, 100% red is a red hue. If we have an equal mix of red and yellow it is a 100% orange hue. Every hue has a percentage value of mix of primary or secondary colors. If it’s too geeky, you can simply say every color is a hue. You don’t have to be fancy to impress others.

Saturation: If you tweak with brightness of a color, you get different shades of same hue. Simply adding white or black to a color can reduce or increase its saturation. You can consider saturation as the intensity of the color. If the color is looking faded it is less saturated, on the other hand, if the color is very vibrant it is highly saturated.

Also check: Learn Statistics for Beginners

Conclusion

Now that we understand the basics color theory. Let’s try this practically using a color mixer. Try mixing different shades of colors by clicking on their corresponding circles. You can click on any color multiple times to add it more than one time. Moreover, you can add water to your color mix to set the transparency of your color. Let your imagination go wild and play as much as can.

Let’s Get Creative!

Colors teach us to be expressive. So its time for you to go out and explore the world of colors. Pay attention to how colors mix in nature, in your clothes, or even on a plate of food! Have fun playing with color combinations and unleash your creativity.

The post Color Theory for Beginners: Mixing Colors with Simple Examples appeared first on Learn With Examples.

What is Perspective?

Perspective is the technique artists use to create the illusion of depth and distance in their artwork. It makes things that are further away seem smaller and closer objects appear larger.

Key Perspective Terms

Let’s learn some important terms to make this easier:

• Horizon Line: Think of this as an imaginary line where the earth meets the sky.

• Vanishing Point: A single spot on the horizon line where all the lines in your drawing seem to disappear to.

Let’s Draw a Simple Street Scene!

Here’s how to draw a street showing buildings disappearing in perspective:

1. The Basics:
   • Draw Your Horizon Line: Start by lightly drawing a straight line across your paper. This can be high, low, or even in the middle, depending on your scene.
   • Find Your Vanishing Point: Choose a spot right on the horizon line. This will be your vanishing point.
2. Sketching the Buildings:
   • Start with Simple Boxes: Draw simple rectangular buildings on either side of the road. The bases of these buildings should sit on the horizon line.
   • Connect to the Vanishing Point: Lightly draw lines from the top and bottom corners of your buildings to the vanishing point.

Image source: arch2o

3. Seeing the Change:

• Smaller and Smaller: Notice how your buildings further from the vanishing point get smaller and the lines get closer together. This creates the illusion of them being farther away!

4. Adding Details (Optional): Once the perspective is set, add windows, doors, and other details to your buildings!

Also check: Color Theory for Beginners

Perspective in the Real World

Think of looking at a row of telephone poles marching down the street. They get smaller and seem to converge as they get further away. Perspective is everywhere!

Let’s Get Creative

Practice changes everything! Try different vanishing points, building shapes, and even add trees or streetlights to your street scenes. Soon, drawing in perspective will feel natural!

The post Understanding Perspective: How Objects Change with Distance appeared first on Learn With Examples.